Colossal Head 5 from San Lorenzo

Its face, unrelated to the lie of the circumventing world, seems to behold solely truth. The lines of shade that cut his lids come to reinforce the squinting of the irises, which make it possible to look at the truth. The frown bulks with power between the brows.

Anterior Siguiente

In the mouth, the ascending curve that moves the lower lip, mandates the position and shape of the other. But this, revealing the essential sense of the face, is meticulously carved into two separate portions by a profound cleavage. Thus is engendered a double space destined to hold the double ophidian presence.

Look now at the helmet. In its smooth frontal part, at each of its sides, the claw of a rapacious bird fixes its nails, making us guess the presence of the whole bird, powerful to pick up, in its flight, the complete head, integrating it to superior levels of being and knowledge. The Colossal Head number 5 of San Lorenzo reveals itself as the nucleus irradiating with energy, concentrated to the extreme.

Now: remember that, according to the already propounded Mexican version of the genesis of the universe, from the chaos of uncreated waters springs by itself the creative word, constituted by the trinity of man and two serpents transmuted into serpents.

Thus, in this head three of the four natures mentioned are clearly represented; in it would be missing, as is missing in all the rest and also in the other faces both naturalistic and stylized, the fourth: the feline.

Observe and turn around the Colossal Head 9 of San Lorenzo

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Guided Tour

Olmecs

In this guided visit through the gallery, you will explore the following sections:

  • Introduction: Four studies on major Olmec monuments.
    • Olmec Faces: A study that reveals the dual serpentine presence within human faces of the Olmec culture.
    • Colossal Head 5 from San Lorenzo: Iconographic description of this monument.
    • Aquatic Nature of the feline: Interpretation of the symbolic meaning of Monument 1 at Los Soldados, Veracruz.
    • Altar 4 from La Venta: Interpretation of this key Olmec monument within the framework of ancient Mexican cosmogony.
  • Gallery of the Four Natures: Olmec imagery representing the four most recurrent figures in pre-Hispanic art—humans, serpents, birds, and jaguars—together with their symbolic combinations.
  • Gallery of the Two Serpents: A selection of Olmec images featuring the double serpentine motif.
  • Gallery of Naturalistic Faces: One of the two main types of human faces commonly found in Olmec imagery.
  • Gallery of Stylized Faces: The second type of human face represented in Olmec imagery.
  • Gallery of the Four Symbols: A selection of Olmec images displaying the four most frequent symbols of pre-Hispanic art.

Used Iconography in the museum:

Guided Tour

This icon will lead you through the whole Museum. You can leave the Guided Visit anytime using the Site Map links, and return to it activating again the icon.

Guided Tour

Image Gallery Arrows. Use them every time they appear to move forward or backward into a gallery.

Guided Tour

Explanatory Effect. When appearing, move the pointer over the image to see explanatory visual effects.

Guided Tour

Minimap. Permanently shown in the superior bar, indicates you in Red where in the Museum you are.

Guided Tour

Choose this option to see the images one by one in the Alphapet Hall; move with the gallery arrows.

Guided Tour

Zoom. Click this icon to enlarge images into the Histoyre du Mechique Hall.

Each sign is identified by a color throughout the tour:

Figurative Signs
  • Human
  • Serpent
  • Bird
  • Feline
Abstract Signs
  • Sign One
  • Sign Two
  • Sign Three
  • Quinqunx